SCENIC ART — SELECTED CREDITS

2026

• The Australian Ballet, Romeo and Juliet — Melbourne, Australia

• Opera Australia, The Phantom of the Opera (Handa Opera on Sydney Harbour) — Sydney, Australia

2025

• TSA, MJ The Musical — Melbourne, Australia

• Really Useful Group, Love Never Dies — Tokyo, Japan

• Opera Australia — Sydney, Australia

2019–2024 — Head of Scenic Art, Opera Australia

Major projects included:

• Really Useful Group, Love Never Dies — Shanghai, China

• Really Useful Group, The Phantom of the Opera (World Tour) — Sydney, Australia

• Melbourne Theatre Company, Bernhardt/Hamlet

• Melbourne Opera Company

• Pinchgut Opera

• Belvoir Theatre

2017–2019 — Head of Scenic Art, Sydney Theatre Company

2007–2016 — Freelance Scenic Artist & Designer

Working across theatre, opera, museums, themed environments, and commercial installations.

The Australian Ballet (via Scenografic Studio)

• Alice in Wonderland (2015–2017)

• The Sleeping Beauty (2015–2017)

Ensemble Theatre

• The Rasputin Affair (2017)

Sydney Theatre Company

• Speed the Plow (2016)

• A Flea in Her Ear (2016)

• Hamlet: Prince of Skidmark (2016)

Belvoir

• The Great Fire (2016)

Additional Clients

• Opera Australia

• Bangarra Dance Theatre

• Australian Museum

• Taronga Zoo

• Sydney Aquarium

• Private commissions and commercial fit‑outs

LONDON’S WEST END (2004–2007)

• Saturday Night Fever — Drury Lane paint frames

• Full Circle — Drury Lane paint frames

• Aladdin — Drury Lane paint frames

• Joseph & the Amazing Technicolor Dreamcoat — New London Theatre

• Zing Went the Strings — Doily Carte for the QM2 (scenic effects on costumes & sewing)

• Cinderella — The Grange Opera (scenic effects on costumes & sewing)

• Peter Pan — Savoy Theatre (scenic effects on costumes & sewing)

• Refurbishment of repertoire productions across the West End

• Paint finishing & touch‑ups for Kenwright Ltd.

DUBLIN, IRELAND (2003–2006)

Bewley’s Theatre & The Oscar Wilde Society

• The Remarkable Rocket

• The Happy Prince

• The Nightingale & the Rose

• The Lilly Lally Show

• Crabbed Youth & Age

SYDNEY / BRISBANE (1999–2003)

Opera Australia — Full‑time Scenic Artist

Under Head Painter Alan Stewart. Productions included:
Rinaldo, La Bohème, Don Carlos, Wozzeck, The Gypsy Princess, The Pearl Fishers, Capriccio, Simon Boccanegra, Elixir of Love, Cavalleria Rusticana & Pagliacci, Lady Macbeth of Mtsensk, Der Freischütz
Plus refurbishment of 30 repertoire productions (1999–2002).

Additional Projects

• Blue Heart Stables Theatre — Design by Ralph Myers (2001)

• Argyle Oracle, The Rocks — Shop interior, design by Bill Maron (2001)

• Powerhouse Museum, 1000 Years of the Olympic Games — Design by Stephen Curtis (2000)

• Segaworld, Darling Harbour — Scenic effects (1998)

• Ensemble Theatre — Death of a Salesman, Gossamer (1998)

• Neon Graffiti — NRL football banners (1998)

EARLY CAREER (1993–1997)

• A Winter’s Tale — Designed by Justin Kurzel (1997)

• Rosencrantz and Guildenstern — Scenografic Studio (1997)

• Honour — Designed by Michael Scott-Mitchell (1997)

• Puppy Love — Designed by Paula Martin, STC (1997)

• Reg Livermore Productions — Mother Goose, Red Riding Hood, The Speed Hump and the Wolf (1993–1994)

• Westfield Christmas Displays — The Wizard of Oz, Santa’s Workshop Village, Carnival Castle (1993)

• Jupiters Casino, Odyssey — Design by William Passmore (1993)

• Theatrical and commercial scenic finishes — various commissions (1994–1997)

If you want, I can also shape this into a one‑page CV, a website bio, or a portfolio‑ready project list depending on where you want to use it.

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